{"id":46210,"date":"2022-06-17T16:35:16","date_gmt":"2022-06-17T21:35:16","guid":{"rendered":"https:\/\/revistazetta.com\/?p=46210"},"modified":"2022-06-17T17:03:54","modified_gmt":"2022-06-17T22:03:54","slug":"apoteosis-de-trombones","status":"publish","type":"post","link":"https:\/\/revistazetta.com\/?p=46210","title":{"rendered":"\u00a1Apoteosis de trombones! Vibrante final del Primer Festival de Trombones Cartagena de Indias Unibac"},"content":{"rendered":"<p>Fecundos logros obtuvo el Primer Festival de Tromb\u00f3n Cartagena de Indias &#8211; Unibac, luego de tres d\u00edas de recitales y clases. Memorable concierto final para deleite orbital.<\/p>\n<p><strong>Cartagena de Indias, 17 de junio de 2022.-<\/strong>\u00a0Una portentosa nota larga entonada al un\u00edsono por un coro 26 ejecutantes fue el ep\u00edlogo del memorable concierto con el que finaliz\u00f3 el Primer Festival de Trombones Cartagena de Indias &#8211; Unibac, que en los tres \u00faltimos d\u00edas deleit\u00f3 al p\u00fablico con recitales gratuitos y congreg\u00f3 a maestros internacionales y trombonistas venidos de todo el Caribe colombiano.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-46214\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/Festival-trombones-final-2-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/Festival-trombones-final-2-400x267.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/Festival-trombones-final-2-1024x683.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/Festival-trombones-final-2-1536x1024.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/Festival-trombones-final-2-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>La apoteosis del concierto final tuvo su cota m\u00e1s alta con los conciertos ejecutados por los maestros paname\u00f1os Dante Bautista, interpretando el <span class=\"S1PPyQ\">Concierto para Trombon Alto &#8211; G. C. Wagenseil<\/span>, y Omar Rosas, con el\u00a0<span class=\"S1PPyQ\">Concertino para Tromb\u00f3n Bajo y Orquesta &#8211; Ernst Sachse<\/span>, con el acompa\u00f1amiento de la Orquesta Sinf\u00f3nica de Bol\u00edvar, dirigida por el maestro Germ\u00e1n C\u00e9spedes.<\/p>\n<p>El concierto sirvi\u00f3 para el estreno de la obra \u00abPa&#8217;ocho\u00bb, del maestro Luis Jerez, escrita para ocho trombones.<\/p>\n<div id=\"attachment_46212\" style=\"width: 410px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-46212\" class=\"wp-image-46212 size-medium\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-11-400x200.jpg\" alt=\"\" width=\"400\" height=\"200\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-11-400x200.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-11-1024x511.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-11-1536x766.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-11-2048x1022.jpg 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-46212\" class=\"wp-caption-text\">El maestro Germ\u00e1n C\u00e9spedes en la direcci\u00f3n de la Orquesta Sinf\u00f3nica de Bol\u00edvar acompa\u00f1ando a Dante Bautista.<\/p><\/div>\n<p class=\"ok-Wdg _5xZ9qA RVfbug\"><span class=\"S1PPyQ\">El Gran Coro de Trombones, integrado por los expositores y alumnos del Festival, interpretaron las obras\u00a0<\/span><span class=\"S1PPyQ\">Pilgrim Chorus &#8211; Richard Wagner;\u00a0<\/span><span class=\"S1PPyQ\">Amazing Grace &#8211; John Newton, y\u00a0<\/span><span class=\"S1PPyQ\">Pinceladas Colombianas &#8211; \u00c1lvaro Elles P\u00e9rez, bajo la direcci\u00f3n del profesor Eric G\u00f3mez.<\/span><\/p>\n<div id=\"attachment_46213\" style=\"width: 410px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-46213\" class=\"wp-image-46213 size-medium\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-16-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-16-400x267.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-16-1024x683.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-16-1536x1024.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/DB-16-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-46213\" class=\"wp-caption-text\">Dante Bautista ejecutando el Concierto para Tromb\u00f3n Alto de G. C. Wagensei.<\/p><\/div>\n<p>El Cuarteto Istme\u00f1o, integrado por Dante Batista, Juan Fr\u00edas, Joel Rivera y Emmanuel Fr\u00edas, acompa\u00f1\u00f3 al Gran Coro de Trombones y, adem\u00e1s, ofreci\u00f3 un set de piezas populares a la entrada del sal\u00f3n Pierre Daguet para darle la bienvenida a los asistentes al concierto.<\/p>\n<div id=\"attachment_46219\" style=\"width: 410px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-46219\" class=\"wp-image-46219 size-medium\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-1-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-1-400x267.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-1-1024x683.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-1-1536x1024.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-46219\" class=\"wp-caption-text\">Omar Rosas ejecutando el Concertino para Tromb\u00f3n Bajo de Ernst Sachse.<\/p><\/div>\n<p>El Primer Festival de Trombones Cartagena de Indias &#8211; Unibac se desarroll\u00f3 los d\u00edas 14, 15 y 16 de junio de 2022, con clases magistrales, conversatorios, recitales y conciertos.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-46220\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-6-400x355.jpg\" alt=\"\" width=\"400\" height=\"355\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-6-400x355.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-6-1024x910.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/OR-6.jpg 1431w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Tanto la participaci\u00f3n de los alumnos como los conciertos fueron gratuitos.<\/p>\n<p>En la organizaci\u00f3n del Festival participaron la Rector\u00eda de Unibac, el Conservatorio de M\u00fasica \u00abAdolfo Mej\u00eda\u00bb, la secci\u00f3n de viento metales dirigida por el maestro Eric G\u00f3mez, y la log\u00edstica encabezada por Brandon Bernard.<\/p>\n<p>Esta es una galer\u00eda fotogr\u00e1fica:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-46215\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-1-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-1-400x267.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-1-1024x683.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-1-1536x1024.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-46216\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-2-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-2-400x267.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-2-1024x683.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-2-1536x1024.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/FT3-2-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<div id=\"attachment_46217\" style=\"width: 410px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-46217\" class=\"wp-image-46217 size-medium\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JF-1-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JF-1-400x267.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JF-1-1024x683.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JF-1-1536x1024.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JF-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-46217\" class=\"wp-caption-text\">Juan Fr\u00edas, del Cuarteto Istme\u00f1o.<\/p><\/div>\n<div id=\"attachment_46218\" style=\"width: 410px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-46218\" class=\"wp-image-46218 size-medium\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JR-1-400x266.jpg\" alt=\"\" width=\"400\" height=\"266\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JR-1-400x266.jpg 400w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JR-1-1024x680.jpg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JR-1-1536x1020.jpg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2022\/06\/JR-1.jpg 1582w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-46218\" class=\"wp-caption-text\">Joel Rivera, del Cuarteto Istme\u00f1o.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>En el concierto del segundo d\u00eda (mi\u00e9rcoles 15 de junio 2022), la sorpresa final fue este ensamble con un arreglo para trombones de \u201cEl Cantante\u201d, tema de Rub\u00e9n Blades inmortalizado por H\u00e9ctor Lavoe. Una versi\u00f3n imponente hecha por el Cuarteto Istme\u00f1o y los trombones de Unibac.<\/p>\n<p>Cuarteto Istme\u00f1o: Dante Batista, Juan Fr\u00edas, Joe Rivera, Emmanuel Fr\u00edas<\/p>\n<p>Trombones Unibac: Eric G\u00f3mez Merch\u00e1n Brandon Bernard<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3rkacui5vwU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fecundos logros obtuvo el Primer Festival de Tromb\u00f3n Cartagena de Indias &#8211; Unibac, luego de tres d\u00edas de recitales y clases. Memorable concierto final para deleite orbital. Cartagena de Indias, 17 de junio de 2022.-\u00a0Una portentosa nota larga entonada al un\u00edsono por un coro 26 ejecutantes fue el ep\u00edlogo del memorable concierto con el que finaliz\u00f3 el Primer Festival de Trombones Cartagena de Indias &#8211; Unibac, que en los tres \u00faltimos d\u00edas deleit\u00f3 al p\u00fablico con recitales gratuitos y congreg\u00f3 a maestros internacionales y trombonistas venidos de todo el Caribe&#8230; <\/p>\n","protected":false},"author":3,"featured_media":46211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[41,43],"tags":[290,960,962,867,304,961,526,369],"class_list":["post-46210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-cultura-musica","tag-cultura","tag-dante-batista","tag-eric-gomez","tag-festival-de-trombones","tag-musica","tag-omar-rosas","tag-trombon","tag-unibac"],"_links":{"self":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/posts\/46210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=46210"}],"version-history":[{"count":0,"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/posts\/46210\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/media\/46211"}],"wp:attachment":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=46210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=46210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=46210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}