{"id":51971,"date":"2023-10-14T08:04:11","date_gmt":"2023-10-14T13:04:11","guid":{"rendered":"https:\/\/revistazetta.com\/?p=51971"},"modified":"2023-10-14T08:47:53","modified_gmt":"2023-10-14T13:47:53","slug":"imponente-concierto-final-de-las-ix-clinicas-instrumentales-unibac","status":"publish","type":"post","link":"https:\/\/revistazetta.com\/?p=51971","title":{"rendered":"Imponente concierto final de las IX Cl\u00ednicas Instrumentales Unibac"},"content":{"rendered":"<p><i>Estreno mundial de la obra \u201cVariaciones por cumbia\u201d\u00a0<\/i><i>del cartagenerero Francisco Lequerica<\/i><\/p>\n<p><b>Cartagena de Indias, 14 de octubre de 2023.-<\/b> La majestuosidad del teatro Adolfo Mej\u00eda se vio enaltecida con el imponente concierto final de las IX Cl\u00ednicas Instrumentales Unibac, en el que participaron m\u00e1s de 100 m\u00fasicos provenientes del Caribe y otros rincones del pa\u00eds, as\u00ed como maestros invitados de Francia y Corea del Sur.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51976\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-4-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-4-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-4-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-4-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-4-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-4.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>El repertorio seleccionado para el concierto de clausura de las IX Cl\u00ednicas Instrumentales de Unibac refleja los ideales declarados de empoderamiento juvenil, inclusi\u00f3n social y lucha contra cualquier forma de violencia y discriminaci\u00f3n.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51975\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-3-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-3-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-3-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-3-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-3-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-3.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>El director del Conservatorio de M\u00fasica \u201cAdolfo Mej\u00eda Navarro\u201d de Unibac, maestro Germ\u00e1n C\u00e9spedes, en la apertura del concierto se\u00f1al\u00f3 que estas Cl\u00ednicas Instrumentales \u201c<i>son un crisol para la creatividad y la pasi\u00f3n que requieren el hacer, componer, interpretar, ense\u00f1ar y aprender la m\u00fasica\u201d.<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51974\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-2-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-2-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-2-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-2-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-2-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-2.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Las IX Cl\u00ednicas Instrumentales Unibac y II Cl\u00ednicas Kids transcurrieron esta semana con 600 participantes, 70 talleres, 40 maestros invitados y 10 conciertos.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51978\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-6-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-6-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-6-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-6-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-6-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-6.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Para el concierto final se conform\u00f3 una Orquesta Sinf\u00f3nica Integrada, en la que participaron estudiantes del Conservatorio Adolfo Mej\u00eda Navarro de Unibac, alumnos de Bellas Artes de la Universidad del Atl\u00e1ntico, Universidad del Norte, la Filarm\u00f3nica del Cesar, estudiantes de la Escuela de M\u00fasica de Comfenalco y la Fundaci\u00f3n Cakike, quienes se compartieron estos cincos d\u00edas, haciendo un trabajo intensivo de construcci\u00f3n art\u00edstica colectiva, guiados por diferentes talleristas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51980\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-8-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-8-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-8-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-8-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-8-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-8.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>El director invitado de la orquesta integrada fue el maestro colombo-americano Germ\u00e1n Guti\u00e9rrez, doctor en m\u00fasica, director de la orquesta sinf\u00f3nica de la Universidad Cristiana de Texas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51977\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-5-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-5-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-5-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-5-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-5-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-5.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>El repertorio seleccionado para el concierto de clausura de las IX Cl\u00ednicas Instrumentales de Unibac reflej\u00f3 los ideales declarados de empoderamiento juvenil, inclusi\u00f3n social y lucha contra cualquier forma de violencia y discriminaci\u00f3n.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51981\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-9-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-9-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-9-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-9-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-9-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-9.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><b>Repertorio ejecutado<\/b><\/p>\n<p>Obertura de la \u00f3pera franc\u00e9s \u201cLe Code Noir\u201d (El c\u00f3digo negro) del franc\u00e9s Antoine Louis Clapisson.<\/p>\n<p>\u201cDanza en los Ca\u00f1averales\u201d, de la compositora afronorteamericana Florence Beatriz Smith.<\/p>\n<p>Variaciones por Cumbia, del pianista, compositor y escritor cartagenero Francisco Lequerica, obra de estreno mundial, un recorrido por los estilos y lenguajes musicales de cada uno de los ocho departamentos del Caribe.<\/p>\n<p>Concierto para viol\u00edn y chelo de Johannes Brahms, ejecutado por la violinista coreana Elizabeth Lee y la violonchelista francesa Juliette Herlin.<\/p>\n<p>Primer movimiento de la 8\u00aa sinfon\u00eda de Antonin Dvorac.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51973\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-1-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-1-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-1-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-1-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-1-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-1.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/> \u00a0\u00a0\u00a0\u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51979\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-7-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-7-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-7-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-7-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-7-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-7.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/>\u00a0\u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51982\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-10-500x281.jpeg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-10-500x281.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-10-1024x576.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-10-250x141.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-10-1536x864.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-10.jpeg 1920w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-51983\" src=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-11-500x311.jpeg\" alt=\"\" width=\"500\" height=\"311\" srcset=\"https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-11-500x311.jpeg 500w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-11-1024x638.jpeg 1024w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-11-250x156.jpeg 250w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-11-1536x957.jpeg 1536w, https:\/\/revistazetta.com\/wp-content\/uploads\/2023\/10\/Con-11.jpeg 1723w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Estreno mundial de la obra \u201cVariaciones por cumbia\u201d\u00a0del cartagenerero Francisco Lequerica Cartagena de Indias, 14 de octubre de 2023.- La majestuosidad del teatro Adolfo Mej\u00eda se vio enaltecida con el imponente concierto final de las IX Cl\u00ednicas Instrumentales Unibac, en el que participaron m\u00e1s de 100 m\u00fasicos provenientes del Caribe y otros rincones del pa\u00eds, as\u00ed como maestros invitados de Francia y Corea del Sur. El repertorio seleccionado para el concierto de clausura de las IX Cl\u00ednicas Instrumentales de Unibac refleja los ideales declarados de empoderamiento juvenil, inclusi\u00f3n social y&#8230; <\/p>\n","protected":false},"author":3,"featured_media":51972,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1450,41,43],"tags":[290,285,304,369],"class_list":["post-51971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-parasladers","category-cultura","category-cultura-musica","tag-cultura","tag-destacada","tag-musica","tag-unibac"],"_links":{"self":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/posts\/51971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51971"}],"version-history":[{"count":0,"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/posts\/51971\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=\/wp\/v2\/media\/51972"}],"wp:attachment":[{"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistazetta.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}